ÆTHELMEARC COLLEGE OF HERALDS - commentary archive
Letter of Intent #127
Myfanwy ferch Rhiannon

                    Feast of St. Bernard of Montjoux
                    28 May, AS XLV

Greetings from Myfanwy!

Herein pray find commentary on Æ #127.  Everything has been conflict-checked through the February LoAR ( meant to get this out a couple of days ago, but Life intruded)
I remain your servant and the Society’s.

Lady Myfanwy ferch Rhiannon
Ruth Morrisson
myfanwy@consolidated.net
Lady Myfanwy ferch Rhiannon

Ruth Morrisson

      1.Æthelmearc, Kingdom of (transfer of Heraldic Title Ravenstongue Pursuivant to Barony of Thescorre
Seems pretty straightforward.  Is there any sort of other paperwork that has to be involved?  I know that group armory has to have a petition of support.
 
      2. Antoinette de Lorraine
I don’t have the sources cited but both can be found on Google Books. 
The first cite can be found at [URL: http://books.google.com/books?id=nuyx5E_
wp7QC&printsec=frontcover&dq=%22The+Rise+and+Fall+of+Renaissance+France%22&source=bl&ots=ZXd2gebaz9&sig=8GLRxT09jKlJ7stNWtVd1oq_z5c&hl=en&ei=nIbgS9vaBoSClAeIhbTCCA&sa=X&oi=book_result&ct=result&resnum=4&ved=0CBwQ6AEwAw#v=snippet&q=Antoinette%20de%20Bourbon&f=false]; it says in part:
                  Though Vassy was not a large town, its Reformed church was a
            flourish- [sic] ing one.  A few months before the massacre, the bishop
            of Châlons had attempted to persuade the inhabitants to live as good
            Catholics, but he had been challenged by the local pastor and driven
            out of the town under a volley of abuse.  The dowager duchess of
            Guise, Antoinette de Bourbon, disliked the presence of heretics so
            near her residence and Joinville and on lands forming part of the
            dowry of her granddaughter, Mary Stewart.
The submitted spelling of the given name can be found, (as a single instance) in O’Brien’s “Names Found in Ambleny Registers 1578-1616” in the section on Feminine Given Names [URL: http://www.medievalscotland.org/kmo/Ambleny/
FemGivenNamesFreq.shtml], dated to 1591.  Note that most of the instances were actually in the form <Anthoinette>.  I also found the variant spelling in Friedemann’s “Names from a 1587 Tax Roll from Provins” [URL: http://www.ellipsis.cx/~liana/
names/french/provins1587.html], dated to 1591 in the name <Anthoinette Certeau>; the name is stated to be a feminine form of the name Anthoine [sic].
The second cite can be found at [URL: http://books.google.com/books?id=
awvNTHgoGWYC&pg=PA4&lpg=PA4&dq=Marguerite+de+Lorraine&source=bl&ots=1D0XpspfRp&sig=SJGxP9gQ7hD4-VcT-dn2spT_VCk&hl=en&ei=cILgS5-TFISclgf299GJCQ&sa=X&oi=book_result&ct=result&resnum=6&ved=0CBsQ6AEwBTgy#v=onepage&q=%22Marguerite%20de%20Lorraine%22&f=false].  Searching within the text it says [p. 4]:
            Married at seventeen to the twenty-year-old [sic] Charles, duc d’Alençon,
            in 1509, Marguerite spent much of her first marriage in the ducal center
            of Argentan.  After being raised with the same educational and social
            training as her royal brother, Marguerite had to adjust to a much quieter
            and less stimulating life.... During this period, Marguerite became quite
            close to her mother-in-law, Marguerite de Lorraine, a devout woman
            committed to a life of spiritual devotion and prayer, whose piety had
            a strong influence on her daughter- [sic] in-law.10  [sic]
 
The footnote [op. cit.] says:
            10 Marguerite de Lorraine was known as “la bienheureuse Marguerite”
            in the duchy, because of her religious devotion and charitable acts. 
            Samuel Putnam, Marguerite of Navarre [sic] (New York: 1935), p. 79.
            She later became a nun; Reynolds-Cornell, Théâtre Profane [sic], p. 10.
The byname can also be found in Elliot’s “Sixteenth Century Norman Names” [URL: http://www.s-gabriel.org/names/cateline/norman16.html#surnames] in the surnames list.
 
      3. Beatrijs van Cleef (change of name from Beautrice Hammeltoune)
The docs for both name elements are as cited.
 
      4. Beatrijs van Cleef (release of device Argent, on a fess azure between three cinquefoils pierced gules, a griffin statant argent)
Seems pretty straightforward, but are #s 3-5 really needing to be listed as three separate actions?  I could easily see this being folded into either the previous # or the following one.  (The original armory was registered 6/98 via Æthelmearc).
 
      5. Beatrijs van Cleef (change of badge Barry azure and ermine to primary device).
Seems pretty straightforward.  The badge was originally registered 11/98 via Æthelmearc.
                           
      6. Bella Cavalerii -- Argent, a horse rampant sable and on a chief purpure three estoiles argent.
The docs for the given name docs as cited.
I don’t have De Felice, but the other docs for the byname are as cited.
Is the grammar correct?  I don’t know enough about Italian to know whether there should be a correction to the byname for gender.
      clear of: Catriona ni Dhubhghaill (9/95 Middle) -- Argent, a demi-horse rampant sable, on a chief wavy purpure, three triskelions pommety Or.
There is a CD for removing the complex line on the chief, and one for cumulative changes to the tertiary charge group.  There is also one for the difference between a demi-creature and a complete one; this Precedent dates from Jaelle’s tenure:
            [registering two demiwolves...and a dog] [sic] The question was raised in
            commentary as to whether this violated our sword and dagger [sic] rule,
            which prohibits two (or more) [sic] form of the same charge in the same
            piece of armory, for instance a rose and a rose bud, two different varieties
            of fish, a mullet of seven points and a mullet of 8 points, etc. This happens
            when the two items are not a CD apart. We in fact give a CD between an
            animal and the same animal when it is a demi-animal. This change is a type
            [sic] change, not a posture change. Therefore, since there is a CD between
            the demi-wolves and the dog, while poor style, this does not violate our
            ban on having two different charges in the same submission which are
            less than a CD apart. (Bran of Silver Keep, 7/97 p. 3) [sic]
      possibly clear of: Ilaria de la Mere (4/07 Atlantia) -- Argent, a mare rampant, on a bordure sable three crosses crosslet argent.
There is at least one CD for changing the type of peripheral charge, and possibly one for changing its tincture; there may also be a CD for changing the type (and possibly also arrangement) of tertiaries, since this is simple armory.
 
      7. Bera of Tavastland (device change) -- Azure, a fees [sic] argent charged with two bars gules.
This appears to be bar(s) gemel(les), which does not precisely match the blazon as submitted (I would expect “on a fess two bars” to have the tertiaries more evenly spaced on the ordinary).
Possible reblazon: Azure, on a fess argent two bars gules.
Possible reblazon: Azure, on a fess argent a bar gemel gules.
      possibly clear of: Cape Verde (badge: important, non-SCA flag, 9/95 West) -- Azure, on a [sic] abased fess argent a bar gules, overall to dexter ten mullets in annulo Or.
There is a CD for removing the secondary charges; there may be one for position (since it’s not a forced move), but there is only a change of the number of tertiaries.
      possibly clear of: Lambert de Sur (8/86 Caid) -- Azure, on a fess cotised argent a fess gules, in chief four crosses formy argent.
There is a CD for removing the cotises; there may be one for removing the other secondaries as well, but there is only a change of the number of tertiaries.
      possibly not clear of: Botswana (badge: important non-SCA flag, 9/95 Laurel) -- Bleu céleste, a fess sable fimbriated argent.
There may or may not be a CD for the field tincture between “blue” and “bleu céleste”; there may be a visual CD for the tincture of the fimbriated fess (as opposed to having tertiary bars -- of a different tincture) on an argent fess.
      possibly not clear of: Geoffrey of Chadhunt (1/73 ??) -- Azure on a fess argent two golpes between three crosses patty gules.
There is a CD for cumulative changes to the tertiary charges; that is the only CD, but both pieces of armory are simple.
 
      8. Bera of Tavastland (badge) -- Quarterly argent and gules, in bend sinister eight apples argent.
This really has the feel of marshalling, especially since there are multiple charges on 2nd and third quarters.  There is a Precedent from François first tenure which says:
            [Quarterly argent and azure, in sinister chief three arrows inverted in fess
            argent] [sic] The device violates RfS XI.3, Marshalling: "Such fields may
            only be used when no single portion of the field may appear to be an
            independent piece of armory. No section of the field may contain an
            ordinary that terminates at the edge of that section, or more than one
            charge unless those charges are part of a group over the whole field"
            [sic]. Quarterly is one of the fields that may only be used when no
            single portion of the field may appear to be an independent piece of
            armory. Here, there are multiple charges in one quarter, and the
            charges are not part of a group over the whole field. [Ale Snepil,
            12/2001, R-Drachenwald] [sic]
In this case, because there are multiple charges in the second and third quarters, this gives the impression of the plain field armory “Argent” quartered with “Gules, four apples in bend sinister argent”.
      no conflicts found
 
      9. Betha Symonds (name change from Betha of Bedford)
The docs for the given name are as cited.
I don’t have Bardsley, but the other docs for the byname are as cited.  Additionally, while doing a Google search for the name, I found a genealogy website [URL: http://
freepages.genealogy.rootsweb.ancestry.com/~walkersj/symonds.htm] that lists a <John Symonds> of whom it says that he was born about 1595 in Norfolk, England and apparently emigrated to the Massachusetts Bay Colony .
 
      10. Elyse le Bref -- Argent, a butterfly bendwise azure and an orle vert.
The docs for the given name are not quite as cited.  The actual name is <Elyes [un] gendre>, so both the spelling and gender are incorrect for what the submitter is said to want.  Withycombe [pp. 98-9, sn Elijah, Elias] gives various forms , including <Elys> and <Elye>, both dated to 1273, but it is only found as a masculine name.
The docs for the byname are more or less as cited; however, again, the gender for the byname is incorrect: it should be <la Bref>, not <le Bref> in a feminine form.
I’m not certain whether correcting the spelling (which may be either a typo or a mis-reading of the data), and *also* correcting the gender, are major or minor changes.
      clear of: Constance von Messer (10/92 West) -- Argent, a butterfly azure marked proper.
There is a CD for orientation, and one for adding the orle.  There is probably also one for removing the “markings proper” (I have no clue what the tincture of said markings are supposed to be).
      clear of: Deirdri of the Mist (11/86 An Tir) -- Argent, a luna moth proper between a decrescent, an increscent and a crescent, all vert. [Actias luna linnaeus]
There is a CD for for orientation, and at least one for changing the type and number of secondary charges; there is probably also one for tincture of the moth [c.f. URL: http://
www.entomologicalillustration.com/portfolio42LunaMoth.html].
      clear of: Sarah Thomasyn (1/89 Atenveldt) -- Argent, three tulips gules, slipped and leaved vert, in chief a butterfly volant bendwise, wings elevated and addorsed, azure.
There is a CD for changing the butterfly’s posture, and at least one for changing the tulips to an orle.  There is also one for changing the arrangement of the charges (note as well that the butterfly is not the primary charge, but a secondary).
      clear of: Castellana del Mar (5/09 West) -- Ermine, a butterfly and a chief engrailed azure.
There is a CD for changing the field, one for the orientation of the butterfly, and at least one for changing the type and tincture of the secondary/peripheral.
      clear of: Heile Kozak (5/08 Atenveldt) -- Or, a butterfly azure within an orle vert.
There is a CD for changing the field, and one for the orientation of the butterfly.
 
      11. Gruffudd ap Owein (name change from Griffith Ryder and device) -- Sable, a griffin segreant contourny between three eagles’ jambes Or.
the docs for the given name are as cited; note, however, that the submitted spelling is the modern form; the cited spelling is <Gr[uffith].  Morgan and Morgan [pp. 102-5, sn Gruffudd] says:
                  The OW form was Grippiud (Gripiud) [sic]; this would change in
            the first place to Griffudd, and then to Gruffudd, for when i [sic] was
            followed in the next syllable by u [sic], the i [sic] changed to u [sic]....
            When u [sic] came to have the same quality as the ‘clear y’ [sic] (the
            y [sic] of monosyllables and final syllables) the name generally became
            Gruffydd, and this is now regarded as the standard form.  But forms
            such as Gruffith, Gryffydd are not uncommon in early documents.
Forms found in Morgan and Morgan -- although I can’t tell what the dates are -- include <Gruffith> , <Gruffuth>, and <Grufud>.
The docs for the byname are as cited.
      clear of: Laurencius Legnano (3/08 Meridies) -- Per pale sable and gules, a griffin segreant contourny reguardant between in chief two goblets Or.
      clear of: Simon Karlsson (6/88 Meridies) -- Per saltire gules and sable, a gryphon segreant to sinister within a bordure Or.
In each case there is a CD for changing half the field, and one for changes to the secondary charges.
      possibly clear of: John ap Griffin (badge for Griffin Freehold, 5/07 Caid) -- Sable, a griffin segreant contourny atop a twin-towered castle issuant from base Or.
I’m not sure whether the issuant castle is effectively a peripheral charge or not.  There is
There is at least a CD for changing the type and number of co-primary/secondary charges; it may be a case of removing the co-primary/peripheral and adding the secondaries.
      possibly clear of: Wilhelm Johannes Rieger (7/82 Atlantia) -- Sable, a griffin segreant to sinister and in base two bars dancetty Or.
There is at least one CD for changing the type and number of secondary charges.
      clear of: Gordon Rede (10/96 Meridies) -- Sable, a griffin segreant within an annulet Or.
There is a CD for changing the orientation of the griffin, and at least one for changes to the secondaries.
      probably clear of: Griffin Porthor (9/99 Outlands) -- Sable, a griffin sejant erect contourny and on a chief Or three mullets sable.
There is at least one CD for removing the charged peripheral, and one for adding the secondaries; note, however that there is *not* a CD for changing the posture of the griffin.
     clear of: Cett Donegal (2/05 Æthelmearc) -- Gules, three eagle's jambes erased a la quise contourny Or.
There is a CD for changing the field and one for addition of primary charged.   There is also one for orientation of the jambes.

      12. Gwydeon ap Arden -- Argent, a sword inverted and overall two garden roses in saltire, slipped and leaved, sable.
The docs for the given name are as cited, but don’t really help.  A Google search for <Gwydeon> seems to net only modern links (such as World of Warcraft!) or as a variant/error for what really should be <Gwydion>.  And of course, there are hits for the submitter himself. A search for <Gwyddion> is even worse, since the first two pages of hits were largely for software which apparently analyzes data from scanning probe microscopy....
As for <Gwydion>, Encyclopedia Britannica Online [URL: http://www.britannica.com/
EBchecked/topic/250184/Gwydion] says in part:
            in the Welsh Mabinogion [sic], a son of the goddess Dôn [sic], a master
            of magic and poetry and a somewhat dubious character.
My copy of The Mabinogion gives the name as <Gwydyon> in “Math Son of Mathonwy” [pp. 98-117].
There is a Precedent from Alisoun’s tenure which says:
            [Gwydion Rhys ap Rhianwen] [sic] The submittor [sic] has provided
            documentation from period legal documents that one Gwydion
            Bola (which means something like Gwydion the Fat, according to
            Brachet) [sic] was beadle of the English County of Carmarthen in
            the early fourteenth century. Brachet has added further citations
            from period sources in support of the use of Gwydion by humans
            in period. It is the consensus of the College that the case is more
            than adequately proved and the name Gwydion may be used in
            the Society so long as there is no other reference to the Gwydion
            of Welsh legend. (LoAR 26 Feb 89, p. 8) [sic]
Reaney & Wilson [p. 13, sn Arden] gives several dated citations, but they all appear to be locatives, including that of < de Arden [sic].  Morgan and Morgan don’t have it -- they do, however, have a somewhat similar sounding name: Arthen.[p. 46, sn Arthan]: <Arthen, King of Ceredigion> (died 807), and <Henri ab Arthen>, which appears to date to 1162.
My recommendation for the byname is to either change the patronymic designator <ap/ab> to <de> to make the smallest number of changes, if the submitter really wants <Arden>; the alternative is to change the byname to  <ap Arthen>.
The armory has been redrawn because in the original the roses were not identifiable as such -- they looked more like mullets of five greater and five lesser points.
Reblazon (based on the new drawing): Argent, a sword inverted and overall two roses in saltire, slipped and leaved, sable.
      clear of: Fynlay maccrimmon (10/06 Meridies) -- Argent, a sword inverted and winged sable.
There is a CD for removing the wings and one for adding the overall charge group.
      possibly clear of: Diana Lee Ambree (9/96 Atenveldt) -- Argent, a sword inverted sable between four roses two and two azure.
There is at least one CD for changing the number and tincture of the roses; there may or may not be one for arrangement in this case (surrounding as opposed to overall), and there is nothing for adding the slips to the roses.
      possibly clear of: Jörg Kratz (badge for House of the Rosed Arrow) -- Argent, an arrow proper flighted vert entwined of two garden roses sable slipped and leaved vert.
There is at least one CD for changing the type and tincture of one of the charges; there may  or may not be one for partial tincture of the others, and there may not be one for arrangement in this case -- it probably needs a visual comparison.
 
      13. Isabetta Orsini -- Per fess argent and azure, a bear statant sable and four pawprints fesswise two and two argent.
The docs for the given name are as cited.  Note that the URL should have been included in the documentation; for reference, it is [URL: http://www.s-gabriel.org/names/
arval/catasto/].
The docs for the byname are as cited. 
Is the grammar correct?  I don’t know enough about Italian to know whether there should be a correction to the byname for gender.
Artist’s note -- can someone double check the blazon?  This is one of the batch from Ice Dragon where I got the blazons by email.  I need to know if the pawprints are really supposed to be “fesswise” (as opposed to being “in fess”).
Note that the use of the paw prints are a step from period practice.
      no conflicts found
 
      14. Lasairfhíona inghean Aindrias -- Per saltire vert and argent, a raven close sable between in pale two thistles Or.
The docs for the given name are as cited; note that the submitted spelling can be found in the Raw Data, dated to 1381; the name without the accent is dated in the Raw Data to 1363, 1381, 1418 and 1456.
The docs for the patronymic designator are as cited.
The docs for the patronymic are as cited, and the submitted spelling appears to be both a nominative and genitive form in the Raw Data; dated citations for it as a genitive form can be found from the late 13th century through the first quarter of the 16th century, and there are several citations for the name in the submitter’s desired time period of the 14th century.   Note that because the patronymic starts with a vowel, it does not get lenited, according to the docs for the patronymic designator.
      clear of: Corbinus of Æthelmearc (2/06 Æthelmearc) -- Per saltire vert and argent, in fess two ravens respectant sable.
There is a CD for number of birds, and one for addition of the secondary charge group.
      clear of: Allysen of Dunrobin (10/76 ??) -- Per saltire Or and purpure, in chief a thistle proper, in base an English robin close proper grasping in its claws a trumpet sable.
There is a CD for changing the field, and at least one for changing the secondaries; there may also be one for tincture of the bird (but possibly not one for type, as these are both regular-shaped birds.
 
      15. Líadain ní Dheirdre Chaomhánaigh (badge) -- (Fieldless) A pine tree sable.
Nice badge.
      clear of: Oswald von dem Grünwald (badge, 5/92 East) -- (Fieldless) A pine tree eradicated bendy sable and argent.
      clear of: Ealdnor{d-}wuda, Canton of (badge, 3/03 Middle) -- (Fieldless) A pine tree gules.
      clear of: Middle, Kingdom of the (badge, 1/03 Middle) -- (Fieldless) A pine tree per pale purpure and Or.
In each case there is a CD for fieldless vs. fieldless, and one for tincture of the tree.
      clear of: Alan Youngforest (badge for League of Saint William of York, 2/08 Artemisia) -- Argent, on a pine tree sable a fleur-de-lys argent.
There is a CD for field vs. fieldless and one for removing the tertiary charge.
      clear of: Achmere ibn Tamim (badge, 1/87 West) -- (Fieldless) A palm tree couped sable.
There is a CD for fieldless vs. fieldless and one for the type of tree.
 
      16. Marina Martinez de Aragon -- Azure, on a bend between three roses barbed and seeded argent, three hummingbirds rising vert.
The docs for all name elements are as cited.
      probably clear of: Walter of Lowestoft (11/73 ??) -- Azure, a bend and in sinister canton four poppy-bolls, all argent.
There is a CD for adding the tertiary charge group, and at least one for changes to the secondaries.
      probably clear of: {Y’}ri eyverska (2/02 Meridies) -- Azure, on a bend argent between two hawks Or three trees proper.
There is at least one CD for changes to the secondaries; there may one for changing the type and partial tincture of tertiaries, as these are both cases of simple armory.
      clear of: Sigvald Siegfriedsson (11/82 West) -- Azure, on a bend argent between two unbarbed roses Or, seeded gules, a mullet of four points elongated to base gyronny azure and Or.
There is at least one CD for changing the number and tincture of the secondaries, and one for cumulative changes to the tertiaries.
      clear of: Marguerite of Kenneydell (8/93 An Tir) -- Azure, on a bend between two daisies argent, two daisies azure.
      clear of: Marguerite d’Honfleur (11/00 Æthelmearc) -- Azure, semy of marguerites argent seeded, on a bend Or a needle threaded azure.
In each case, there is at least one CD for changing the type and number of secondaries, and one for cumulative changes to the tertiaries.
 
      17. Myskia náttfara -- Purpure, a willow tree eradicated and in chief three mullets of four points argent.
The armory has been redrawn on Garnet’s instructions.
Note that this redrawing is, by Precedent, a weeping willow; this is from Elizabeth’s tenure:
            TREE - Precedent on Willows and Weeping Willows [sic] Research
            this month for Lachlan MacLean's submission provided some
            information on various willow trees. The period heraldic willow
            tree was the white willow (Salix alba) [sic], as shown in the canting
            arms of von Salis (Siebmacher, plate 204) [sic], Per fess Or and argent,
            a willow tree eradicated proper and two pallets gules [sic]. The emblazon
            matches the examples of white willows found on-line (e.g., http://
            www.the-tree.org.uk/BritishTrees/TreeGallery/whitewillowc.htm)
            [sic]: the foliage takes up half the height of the full tree, and the
             branches have a slight droop. This is opposed to the weeping willow
            (Salix babylonica) [sic], which is native to China and was brought to
            America as an ornamental. The weeping willow has branches with a
            considerable droop -- the branches are more like vines in some cases
            -- and the foliage reaches nearly to the ground. Despite being the
            willow tree most familiar to Americans (i.e. most of our submitters)
            [sic], it wasn't known in period Europe. Of the willows currently
            registered, the majority of trees blazoned simply as "willows" [sic]
            are weeping willows, not white willows. In nearly every example,
            the foliage comes almost to the ground, or is depicted as long
            drooping branches, or both. This makes a difference as weeping
            willows get a CD from an oak or generic tree. Laurel has ruled
            "There is a CD between a willow tree and a standard round shaped
            tree, just as there is a type CD between a pine tree and a standard
            round shaped tree. [Aleyn More, 09/02, A-Caid]" [sic]. This precedent
            applies to a weeping willow tree; not a willow tree. The compiled
            precedents do not note that Aleyn's tree is a weeping willow tree,
            a fact made clear in the device's balzon.We will follow the medieval
            and modern heraldic convention and use the white willow as the
            default willow. The registered armory with weeping willows have
            been reblazoned to reflect the emblazons.PRECEDENT [sic]:
 
                      There is a CD between a weeping willow tree and an oak tree
                        or a generic tree.
                      There is not a CD between a white willow, which is the default
                        willow tree, and an oak tree or a generic tree.
                      There is a CD between a white willow tree and a weeping
                        willow tree.
                      Given that the weeping willow is unknown in period (let alone
                        period Europe) [sic], its use is considered one step from period
                        practice (a weirdness) [sic].
 
            [CL, 06/05] [sic]
While I have been unable to access the website link cited in the Precedent, other images of white willows can be found by doing a google search, including [URL: http://www.
google.com/imgres?imgurl=http://www.thepoisongarden.co.uk/images/salix_alba_liempde_1_010706_2.jpg&imgrefurl=http://www.thepoisongarden.co.uk/atoz/salix_alba.htm&usg=__seNPzL-MlWCzTLZ9i1hKJQQiqU=&h=333&w=250&sz=38&hl=en&start=
14&um=1&itbs=1&tbnid=Zh5dcxwGZvBAmM:&tbnh=119&tbnw=89&prev=/images%3Fq%3D%2522white%2Bwillow%2522%2Btree%2B%2522Salix%2Balba%2522%26um%3D1%26hl%3Den%26tbs%3Disch:1] and [URL: http://www.google.com/imgres?imgurl=
http://ecolocalizer.com/files/2010/04/1270502368_tmp_Salix_alba_Morton.jpg&imgrefurl=http://ecolocalizer.com/tag/seattle/&usg=__wPImUaU4x8xdq-WY2iy9P_HUvjY
=&h=600&w=600&sz=115&hl=en&start=30&um=1&itbs=1&tbnid=bCUGKxiWYIITGM:&tbnh=135&tbnw=135&prev=/images%3Fq%3D%2522white%2Bwillow%2522%2Btree%2B%2522Salix%2Balba%2522%26start%3D18%26um%3D1%26hl%3Den%26sa%3DN%26ndsp%3D18%26tbs%3Disch:1].
Possible reblazon: Purpure, a weeping willow treee eradicated and in chief three mullets of four points argent.
      clear of: Thomas M’Manis of Skey (6/04 Atenveldt) -- Per pale vert and azure, a weeping willow tree eradicated argent.
There is a CD for changing the field and one for addition of the secondary charges.
      clear of: Morwenna ní Thiarnáin (6/05 Atlantia) -- Purpure, a weeping willow tree blasted and eradicated and in chief three decrescents within a bordure embattled grady argent.
There is a CD for changing the type of secondaries and one for removing the peripheral charge.
      clear: Middle, Kingdom of the (badge for Order of the Willow, 6/05 Middle) -- Purpure, a weeping willow tree eradicated Or.
There is a CD for changing the tincture of the tree and one for adding the secondaries.
      probably clear of: Angelica Winter of the Willows (2/98 Atenveldt) -- Purpure, two standing seraphs and a willow tree eradicated argent.
There is at least one CD for changing two seraphs to three mullets of four.
      clear of: William MacCrimmon (5/92 East) -- Per chevron azure and vert, two mullets of four points and a tree blasted and eradicated argent.
There is a CD for changing the field, and one for changing the number of mullets.  Note that there may not be a CD for a tree blasted vs. a weeping willow.
      probably clear of: Sine ni Mhoraig (5/07 East) -- Per chevron vert and sable, two mullets of eight points and a tree eradicated argent.
      probably clear of: Marguerite Daroux (4/00 Artemisia) -- Per saltire azure and vert, a tree and in chief two mullets of four points argent.
In each case there is a CD for changing the field, and one for the number of mullets.        
      probably clear of: Elissent Silverleaf -- Vert, an oak tree eradicated, trunk winged, and in chief three mullets of four points argent.
There is a CD for changing the field tincture and one for adding the wings; there may not be one for type of tree.
      possibly clear of: Eremon FitzGerald (1/95 Middle) --- Per pale gules and azure, a tree blasted and couped and in chief three mullets of six points argent.
There is a CD for changing the field; there may or may not be one for type (there is a Precedent from Elizabeth’s tenure which says:
            There is no difference between a tree proper and a tree vert, nor
            between a tree couped and a tree eradicated. [Áine O'Shaughnessy,
            12/05, R-Atenveldt] [sic]
There may be a CD from changing the mullets of six points to mullets of four points (there is a CD between mullets of eight and mullets of four; there is not a CD between mullets of eight and mullets of six).
      probably clear of: Viviana Ammary Rowntree (1/09 Ansteorra) -- Purpure, a tree blasted and eradicated argent within a bordure argent semy of lotus blossoms in profile purpure.
There is at least one CD for removing the charged peripheral and there should be one for adding the secondaries; there may or may not be one for type of tree.
      possibly clear of: Middle, Kingdom of the (badge for Order of the Silver Oak, 7/83 Middle) -- Purpure, an oak tree blasted eradicated argent, fructed Or.
There is a CD for adding the secondary charges; there may or may not be one for the type of tree (the fructing counts for nothing, as they are effectively maintained charges.
      possibly clear of: Erik of Oakstream (4/85 West) -- Purpure, a tree eradicated and in base three bars wavy argent
There is at least one CD for changing the type and number of secondaries, and one for arrangement; there may or may not be one for the type of tree.
      possibly clear of: Sileas ní Chinaíd (5/93 Atlantia) -- Purpure, a tree eradicated and in chief a roundel argent.
      possibly clear of: Giuseppe Calabro (3/07 Atlantia) -- Purpure, an olive tree couped and in chief an increscent and a decrescent argent.
In each case there is at least one CD for changing the type and number of secondaries; there may or may not be one for the type of tree.
 
      18. Renault Lionett -- Azure a chevron ermine between three dexter hands Or.
The online docs for the given name are as cited.  I don’t have the other source.
Morlet, Dictionaire étymologique des Noms de Famille [p. 631, sn Lion] gives <Lionet> and <Lionnet> amongst the diminutive forms, but does not give dated citations.
Can someone check the original form?  This field seems kinda dark to be standard Crayola marker blue.
Nice device.
Possible reblazon: Azure, a chevron ermine between three dexter hands appaumy [couped] Or.
      possibly clear of: Malachi Tay (8/00 Atenveldt) -- Azure, a chevron argent ermined vert, overall a mancatcher issuant from base Or.
There is at least one CD for changing the type and number of charges, but because the mancatcher is an overall charge the previous registration is not simple armory.  There may or may not be a CD for changing the tincture of the ermine spots on the chevron.
      possibly clear of: William of Martinvast (12/83 East) -- Azure, a chevron ermine between in chief three mullets in fess and in base a martlet argent.
There is at least one CD for type and tincture of secondaries, but there there may not be a CD for number of them (i.e., between three and four).
      possibly not clear of: Rainer Wulfgar (7/05 Drachenwald) -- Azure, a chevron ermine between  three griffins Or.
There is only a CD for type of secondaries; both pieces are armory are simple, however.
      clear of: Aneka of Seagirt (12/09 An Tir) -- Azure, two chevronels ermine.
There is a CD for changing the number of chevrons and one for adding the secondaries.
 
      19. Richard de Derby -- Azure, a swan argent and in base three shamrocks Or.
The docs for the given name are not quite as cited; in the introduction to the section on masculine names [URL: http://www.s-gabriel.org/names/talan/yorkshire/yorkm.
html] it says in part:
            In records of this date surnames and bynames are much less thoroughly
            Latinized, so patronymic surnames often give a clearer picture of
            the vernacular forms of given names in common use. With some
            entries I have included in curly braces {like this} some possible
            vernacular equivalents, giving preference to forms deducible from
            surnames and bynames in this roll.
That suggests that the submitted form is not actually found in original; additionally, the form <Ricard(us)> is, according to the introduction, a deduced nominative form from the Latin ablative form <Ricardo>.   Withycombe [pp. 253-4, sn Richard] says:
            In Latin MSS. the abbrevia- [sic] tions Rich. [sic] and Ric. [sic] are
            used for Richer and Ric(h)ard [sic], respectively.  Richard [sic] and
            Ricard [sic] were equally common in the Middle Ages, together
            with many nicknames and diminutives....                      
but does not give any dated citations for the submitted form.  Reaney and Wilson [p. 377, sn Richard] cites <Richardus  Basset>, dated to 1127-34.
The docs for the byname are as cited.
The shamrocks are bendwise.  The field tincture seems a bit dark to be standard Crayola marker blue. 
Nice to see a swan that’s in it’s default period posture of rousant (as opposed to all the SCA ones that are naiant).
Possible reblazon: Azure, a swan [rousant] argent, in base three shamrocks bendwise [two and one] Or.
      possibly clear of: Arianwen of the Tuntlewald (7/71 ??) -- Azure, a swan argent, beaked and membered Or, within eight mullets in annulo argent.
There is at least one CD for changing the type and number of secondaries, and there should be one for arrangement.  There may or may not be one for posture (this is listed in Bird-Whole-1-Close-Argent) and may need to be reblazoned.
      clear of: Helvig Ulfsdotter (1/98 Drachenwald) -- Azure, a duck rising wings elevated and addorsed and on a chief argent three shamrocks verts.
There is at least one CD for removal of charged peripheral and one for addition of the secondaries.
      possibly clear of: Rorik Fredericsson (12/99 Atlantia) -- Azure, a grey goose volant bendwise wings addorsed proper gorged of a coronet Or.
There isa CD for addition of the secondaries; there may be one for orientation of the bird, but there is not one for type (geese are under the “Swan-shaped” category), and possibly not one for posture in this case.
      possibly clear of: Nyilas Kázmér (12/90 Middle) -- Azure, a goose volant, wings elevated and addorsed, argent, issuant from base a demi-sun Or.
There is at least CD for changes to the secondaries; there may be one for posture, but this may have to be given a visual inspection.
      probably clear of: Branwyn of Caer Marthen (7/80 West) -- Azure, a swan volant between in pale two flutes fesswise argent.
There is at least one CD for changes to the secondaries; there is probably one for posture.
      possibly clear of: Godgife of Heatherwyne (2/10 Caid) -- Azure, a swan volant bendwise argent within a bordure Or.
There is a CD for removing the peripheral and one for adding the secondary charge group; there may be one for posture/orientation.
 
      20. Safiyya bint ‘Amr
I don’t have the KWHSS Precedings cited; the other docs for the given name are as cited. 
The docs for the patronymic are as cited; note that the designator/particle can be found in Appleton in the section on Naming Practices, under nasab [sic], with the given example bint Abbas [sic] [the daughter of Abbas]) [sic].
 
      21. Tadhg Sotl Ó Néill -- Gules, on a sinister hand apaumy [sic] proper three shamrocks one and two vert.
I see that the color mini that was used was the one with the hand left uncolored, as opposed to the one where the hand was rendered as pink (and though technically Caucasian skin tone is considered to be a metal, the fact remained that a Crayola pink hand on a red field was very poor contrast).  There is a relevant Precedent from Elizabeth’s tenure:
            [Azure, a nude demi-maiden arms outstretched "pink" [sic] crined
            and issuant from a base wavy Or.] [sic]  This device is returned for
            redraw.  While Caucasian proper is defined as light pink/white [sic],
            this demi-maiden is colored a dark pink approaching gules and must
            therefore be considered to be color-on-color [sic]. On resubmission,
            please advise the submitter to use either white or a light pink for the
            demi-maiden ...  [sic] [Alianora de la Forest, 12/05, R-Outlands] [sic]
      clear of: Markus Hammerhand (badge, 1/97 an Tir) -- (Fieldless) A hand argent charged with a hammer sable.
      clear of: Johannes Fairhand (badge, 9/00 An Tir) -- (Fieldless) On a hand argent the letter “J” purpure.
In each case there is a CD for field vs. fieldless and one for cumulative changes to the tertiary charge group; there is not, however, a CD for dexter vs. sinister, by long-standing Precedent (dating to Alisoun’s tenure), and reiterated by François during his first tenure:
            There is no difference between a dexter and a sinister hand. [Elspeth
            Flannagann, 12/2002, R-Atenveldt] [sic]
      clear of: East, Kingdom of the (badge for Queen’s Order of Courtesy) -- (Fieldless) On a dexter glove aversant argent, a rose azure charged with another Or.
There is a CD for field vs. fieldless and one for cumulative changes to the tertiaries; there is a is a Precedent from François’ first tenure, which says in part:
            The glove in the device was blazoned on the LoI and on the forms as
            a glove aversant [sic], which is a (default dexter) [sic] glove seen from
            the back. There is no silhouette difference between the outline of a
            dexter glove aversant and a sinister glove appaumy (seen from the
            palm) [sic].... [Alexander Craythorne, 05/2002, A-Middle] [sic]
      clear of: Tsvia bas Zipporah Levi of Granada (badge, 4/02 Æthelmearc) -- (Fieldless) On a glove inverted argent a pomegranate gules.
There is a CD for field vs. fieldless, and one for cumulative changes to the tertiary; there is probably also one for orientation, since the default would be upright.
      clear of: William of Blatha an Oir (4/00 An Tir) -- Gules semy of annulets, a sinister hand in benediction argent.
There is a CD for removing the secondary charges and one for adding the tertiaries; there is not a CD, however for the type of hand: this is a Precedent from François’ first tenure:
            [A sinister hand in benediction argent] [sic] Conflict with ...  [sic] Lozengy
            azure and Or, a hand argent [sic].  There is one CD for fieldlessness.  Per
            previous precedent, The clenching is an artistic detail which does not
            contribute difference (William MacGregor, 5/98, p. 22) [sic]. {Gaston de
            Champvieux, 11/2001, R-Trimaris] [sic]
      clear of: Meadhbh the Handy (6/07 Atlantia) -- Gules, a hand within a bordure argent.
There is a CD for removing the peripheral charge and one for adding the tertiaries.
      clear of: Kenric Manning (9/00 Ealdormere) -- Lozengy azure and Or, a hand argent.
      clear of: Isengard (important non-SCA arms, 8/08 Caid) -- Sable, a hand argent.
There is aCD for changing the field, and one for adding the tertiaries.  As noted earlier, however, there is not a CD between a sinister hand and a dexter hand.
      clear of: Aaron MacGregor (12/01 Ansteorra) -- Per bend bendy argent and gules and sable, a sinister hand argent.
There is a CD for changing the field and one for adding the tertiaries; there may not be one for position of the hand on the field (it may be a forced move due to tincture).
      clear of: Cole the Miner (4/97 West) -- Per fess enarched gules and vert, on a dexter hand appaumy argent issuant from the line of division, a lozenge sable.
      clear of: Ihon Vinson MacFergus (9/01 Ansteorra) -- Per pale gules and vert, in chief a hand in benediction argent.
In each case, there is a CD for changing half the field and one for cumulative changes to the tertiaries; there may also be one for position, as it is not a forced move.  There is not a CD for type of hand.
 
      22. Thescorre, Barony of (Acceptance of Transfer of Heraldic Title Ravenstongue Pursuivant from the Kingdom of Æthelmearc)
Seems pretty straightforward.  Is there any sort of other paperwork that has to be involved?  I know that group armory has to have a petition of support.
 
      23. Tiberius Pinarius Varro -- Gules, two pallets wavy between in bend two lozenges Or, each charged with a scorpion inverted sable.
The docs for all name elements are as cited.  However, in the introduction it says:
            By the earliest days of the Republic, every member of the household
            would have at least two names, their given name (prænomen) [sic] and
            the genitive form of the pater familias, which was a fixed and inherited
            nomen [sic]. Thus, Marcus Marci [sic] and Cæcilia Metelli [sic] (Marcus [sic],
            son of Marcus [sic] and Cæcilia [sic], daughter of Metellus [sic]).
I am uncertain what the genitive form of <Pinarius> would be (or whether it actually matters, since I can’t say I’ve ever seen specific genitive forms of the name come up the pike in the past).
The blazon is somewhat clunky, but I’m not coming up with a better one.
Artist’s note: I would have liked to make the pallets somewhat larger and possibly spread farther apart, but I had to have the lozenges big enough to make the tertiaries on them identifiable. 
      no conflicts found
 
      24. Tufa cognomento Gunthamundus
I don’t have that particular Morlet; the other docs appear to be as cited.
 
Bibliography:
Gantz, Jeffrey (trans.)  The Mabinogion.  New York: Dorset Press, 1976, 1985.
 
http://oanda.sca.org
 
http://heraldry.sca.org/heraldry/laurel/precedents.html
 
http://heraldry.sca.org/heraldry/laurel/rfs.html
 
http://heraldry.sca.org/heraldry/loar/
 
Morgan, T. J., and Prys Morgan.  Welsh Surnames. Cardiff: University of Wales Press,
      1985.
 
Morlet, Marie-Thérèse.  Dictionnaire étymologique des noms de famille, nouvelle
      édition revue et augmentée.  [??]: Librairie Académique Perrin, 1991, 1997.
 
Reaney, P. H. and R. M. Wilson.  A Dictionary of English Surnames, Rev. 3rd Ed. 
      Oxford: Oxford University Press, 1997.
 
Withycombe, E. G.  The Oxford Dictionary of English Christian Names, 3rd Ed. 
      Oxford and New York: Oxford University Press, 1977.
 
 other URLs as cited